- Esmaili, S, & Soleimani, S. (2017). Comparative comparison of color application in Islamic architecture of China and Iran. Annual Conference on Architectural, Urban Planning and Urban Management Research, Shiraz, Iran.
- Ghavi Panjeh, Z. (2015). Role and color in Turkmen women's clothing. The Second International Conference on Research in Science and Technology, Leading Karin Conference Institute, Istanbul, Turkey.
- Ghobad, Sh. (2001). Ghobad Shiva: Graphic Designer. Tehran: Nazar Publishing
- Hasannia, F. (2018). Analysis of the latent semantic foundations of the colors and symbols of the Iranian flag in different periods (Master's thesis). Ramsar Azad University, Iran.
- Iranian Graphic Designers Society. (2001). Graphic Design Iran1 the first Selected Works of Iranian Graphic Designer. Tehran: Darog e No.
- Iranian Graphic Designers Society. (2004). The 8th Tehran International poster biennial. Tehran: Iranian Graphic Designers Society.
- Iranian Graphic Designers Society. (2010). Silver Cypress 2010. Tehran: Nazar Art
- Iranian Graphic Designers Society. (2011). Silver Cypress 2011. Tehran: Nazar Art
- Iranian Society of Visual Art Tehran Museum of Contemporary Arts Iranian Graphic Designers Society. (1994). The 4th Contemporary Iranian Graphic Biennial .Tehran: Iranian Graphic Designers Society.
- Iranian Society of Visual Art. (1996). Contemporary Graphic of Iran A Selection of Works: The 5th Biennial of Iranian Graphic Design Biennial. Tehran: Iranian Society of Visual Art .
- Iranian Society of Visual Art. (1999). Contemporary Graphic of Iran A Selection of Works: The 6th Biennial of Iranian Graphic Designers. Tehran:Iranian Society of Visual Art .
- Khoshnazar, R, & Rajabi, M A. (1388). Light and color in Islamic painting and architecture. Ketab e Mahe e Honar, (127), pp. 70-71.
- Kolahkaj, M. (2019). A Study in Representation of National Identity: 50 Years of Contemporary Iranian Graphics (1961-2011). National Studies Journal, 20(79), pp. 139-156.
- Meshki, Saed. (2004). Iranian Contemporary Graphic Designers: Farzad Adibi. Tehran: Yassavoli
- Meshki, Saed. (2004). Iranian Contemporary Graphic Designers: Masoud Nejabati. Tehran: Yassavoli
- Meshki, Saed. (2004). Iranian Contemporary Graphic Designers:Mostafa Assadollahi. Tehran: Yassavoli
- Nasiri, M., kalantari, I., rezayi, R., aleyamin, H. (2016). Relations between Sufism and Al-Azhar with Wahhabism in Egypt (Case Study: Abdul Halim Mahmood's Approach). Religions and Mysticism, 49(2), pp. 259-277.
- Nazar Research and Cultural Institule. With Cooperation by Morteza Momayez Foundation. (2004). A Selection Graphic Design by Morteza Momayez. Tehran: Nazar.
- Saedi, S., Syed Ahmadi Zavieh, S. (2014). The effective factors on the application of color in Yazd carpet. Paykareh, 2(4), pp. 25-42.
- Surasrafil, Sh. (2000). Iranian colors. Book of the Month of Art, (23-24), pp. 71-74.
- Vazirian, A. (2011). Lyric & Religious Design, A Collection of Paintings & Graphic works by Ali Vazirian. Tehran: Sooreh Mehr.
- Visual Art Development Institute of Culture and Islamic Guidance with Cooperation of Tehran Museum of Contemporary Arts Iranian Graphic Designers Society. (2007). The 9th Tehran poster biennial. Tehran: Visual Art Development Institute.
- Visual Art DevelopmentInstitutel with Cooperation of Tehran Museum of Contemporary Arts Iranian Graphic Designers Society. (2007). The 9th Contemporary Iranian Graphic Design Biennial. Tehran: Visual Art Development Institute
- Visual Art Development Institute with Cooperation of Tehran Museum of Contemporary Arts Iranian Graphic Designers Society. (2009). The 10th Tehran International poster biennial. Tehran: Visual Art Development Institul.
- Wahdattalab, M., Nikmaram, A. (2017). An Investigation into the Importance, Abundance and Distribution of Red Color in Stained Glass Windows of Historical Houses in Iran Case Study: 22 Examples of Stained Glass Windows Circle heads (Crowns) in Houses built during Qajar Dynasty in Tabriz. Honar-Ha-Ye-Ziba: Memary Va Shahrsazi, 22(2), pp. 87-97.
)
