Paykareh

Paykareh

Number of Volumes 15
Number of Issues 44
Number of Articles 257
Article View 231319
PDF Download 342,380
View Per Article 900.07
PDF Download Per Article 1332.22
Number of Submissions 1,103
Accepted Submissions 205
Acceptance Rate 19
Number of Indexing Databases 9
Number of Reviewers 336

                                                  

Paykareh is a scientific  journal published by Shahid Chamran University of Ahvaz. The journal's mission is to publish emerging issues on art and art history and the latest findings in these areas. It also has a special look at the education and application of art,, with a special focus on interdisciplinary topics of art and history, especially visual arts. The journal also addresses the knowledge gap in the mentioned areas to find new answers for previous research as the priority of its plans. Paykareh is an open-access, peer-reviewed quarterly electronic journal that publishes articles in two languages Farsi and English in PDF format. The published articles are mostly research-based and review articles on art and history fields, especially on visual arts, comparative studies, and interdisciplinary topics.

Paykareh follows the standards of the Committee on Publication Ethics (COPE) and the executive regulations of the Law on Prevention and Combating Fraud in Scientific Works. The matching process for the received articles in Farsi is compared by using the database of the ‘Iranian Research Institute for Information Science and Technology’ (Irandoc) and the English articles are processed by using iThenticate plagiarism detection software.

This journal has a International rating from the Publications Commission of the Ministry of Science And It is indexed in the ISC database Q1 Ranking .

Paykareh Scientific Journal is indexed in Scopus and has achieved a Q2 Ranking in its subject area according to the latest SJR

 Paykareh: 2025 Journal of the Year (MSRT)

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Publisher: Shahid Chamran University of Ahvaz, Iran

Director-in-Charge: Mansour Kolahkaj

Editor-in-Chief: Mohammad Khazaei

Address: Ahvaz, Golestan Street, Shahid Chamran University of Ahvaz.  P.O Box: 61357-43311 

E-mails: j.paykareh@gmail.com            jpaykareh@scu.ac.ir

Website: https:/paykareh.scu.ac.ir

DOI: 10.22055/PYK

Review Time: 4-8 Weeks

Frequency:  Quarterly

Publication Type: Electronic

Open Access: Yes

Licensed by: CC BY-NC 4.0

Policy: Double Blind

Language: English-Persian

Abstracts: English-Persian

Fee: None

Online ISSN: 2588-6789 

Print ISSN: 2322-4622

The date of the last update of the Website is 28 September 2026

 

Current Issue: Volume 15, Issue 44, Summer 2026 

Keywords Cloud

  • Painting
  • color
  • Illustration
  • Safavid
  • Qajar
  • aesthetics
  • Symbol
  • visual arts
  • Islamic Art
  • calligraphy
  • inscription
  • symbolism
  • Graphic Design
  • graphic
  • miniature
  • Identity
  • Urban
  • Iran
  • Defamiliarization
  • Iranian painting
  • decoration
  • Carpet
  • iconology
  • Traditional Calligraphy
  • birds
  • Iconography
  • Mural
  • myth
  • Art fields
  • Isfahan
  • art education
  • visual elements
  • Art
  • Ahvaz
  • Persian Miniature Painting
  • Artificial Intelligence
  • Contemporary
  • Design
  • Comparative Study
  • Wall Painting
  • Sign
  • Intertextuality
  • Shiite art
  • Rug
  • Typography
  • carpets
  • visual qualities
  • Motif
  • view
  • Animation
  • wooden door
  • Photography
  • Sultan Mohammad
  • arabesque-rococo furniture
  • Imagination
  • Calligram
  • Tradition
  • contemporary paintings
  • Contemporary Painting
  • seals of ancient Elam
  • Multimedia art
  • Chogha Zanbil
  • Semiotics
  • teaching
  • designer
  • halo
  • Representation
  • children
  • Cultural capital
  • environmental graphic design
  • Elam gods
  • building technique
  • Wood Carving
  • Proportions
  • Persian ceramics
  • Enghelab street
  • Animal Motifs
  • Panofsky
  • wisdom
  • Baroque
  • Frito-Lay Inc
  • r urban view
  • sun
  • visual identity
  • Art Education in Iran
  • historical places
  • Buraq
  • decorations
  • Hyperreality
  • Urban Space
  • Mosul
  • Interactive Art
  • Ancient Iranian Art
  • Shia themes
  • surface
  • sociology of art
  • Qajar Period
  • Rationalism
  • Kamalodin Behzad
  • visual symbols
  • Tehran
  • Structure
  • ewer
  • Khuzestan
  • Qajar era
  • city colo
  • Iranian paintings
  • Bakhtiari nomadic women
  • Islamic period
  • Sahifi Jowhari
  • Erving Goffman
  • Supreme Thing
  • reality
  • instances Photography
  • Shikasta Nastaliq
  • Al-Inju
  • Toufan-ol-Boka
  • metalwork
  • Falnameh Tahmasbi
  • sulus
  • goinbg beyond oneself
  • Urban Landscape
  • Safavid Era
  • Mostafa Oji
  • lithography
  • Shia art
  • decorationsassociated with clothing
  • life tree
  • the Ascent image
  • Modern
  • Qajar artrces
  • Fractal geometry
  • University
  • perspective
  • Tahmasp Shahnameh
  • narration
  • Islamic ceramics
  • packaging
  • deconstruction
  • Quran pray
  • Naseri era
  • creativity
  • Persian miniature
  • Postmodernism
  • Pahlavi
  • brand
  • Samanid ceramics
  • Mehran Mohajer
  • the tomb of four kings
  • Content Analysis
  • David Hockney
  • decorative patterns
  • Islamic motifs
  • Architecture
  • Kiya
  • Traditional Art
  • urban art
  • Iranian
  • art teaching center
  • productivity and fertility
  • Poster
  • Kufic Inscription
  • Rustam miniature
  • Bourdieu
  • Pierre Bourdieu
  • Rumi
  • teahouse painting
  • Secular Art
  • Islamic Mysticism
  • Inscriptions
  • plant motifs
  • Ilkhanid
  • ancient Iran
  • Ministry of Science
  • Shahnameh
  • Research and Technology of Iran
  • Shiraz
  • Tazieh
  • Color Frequency
  • visual artworks
  • Identity Formation
  • Illustrated
  • Indian painting
  • r Bank Urban edge of Dezful
  • Children’s book
  • Royal Figurative Painting
  • Seljuk Art
  • Rhetorical Structure
  • Bird-human motif
  • National
  • Shah Quli Khalifa Muhrdar (the Seal-Keeper)
  • Shahnameh of Ibrahim Sultan
  • Exhibition
  • symbols
  • Formalism
  • Non-observational Instruments
  • Interpretation
  • Book of Fixed Stars
  • Pluralism
  • Safavid Painting